the cure? uh....what?
Sometimes the word
hypnagogia is used in a restricted
sense to refer to the onset of sleep, and contrasted with
hypnopompia,
Fredierick Myers’ term for waking up.
[3] However,
hypnagogia is also regularly employed in a more general sense that covers both falling asleep and waking up, and
Havelock Ellis questioned the need for separate terms.
[4] Indeed, it is not always possible in practice to assign a particular episode of any given
phenomenon to one or the other, given that the same kinds of
experience occur in both, and that people may drift in and out of sleep. In this article
hypnagogia will be used in the broader sense, unless otherwise stated or implied.
Other terms for hypnagogia, in one or both senses, that have been proposed include ‘presomnal’ or ‘anthypnic sensations’, ‘visions of half-sleep’, ‘oneirogogic images’ and ‘phantasmata’,
[5], ‘the borderland of sleep’, ‘praedormitium’,
[6] the ‘borderland state’, ‘half-dream state’, ‘pre-dream condition’
[7] ‘sleep onset dreams’,
[8] dreamlets,
[9] and ‘wakefulness-sleep transition’ state (WST).
[10]
[edit] History
Early references to hypnagogia are to be found in the writings of
Aristotle,
Iamblichus,
Cardano,
Simon Forman and
Swedenborg.
[11] Romanticism brought a renewed interest in the subjective experience of the edges of sleep.
[12] In more recent centuries, many authors have referred to the state;
Edgar Allan Poe, for example, wrote of the ‘fancies’ he experienced “only when I am on the brink of sleep, with the consciousness that I am so.”
[13]
Serious scientific enquiry began in the 19th century with
Johannes Peter Müller,
Jules Baillarger and
Alfred Maury, and continued into the twentieth with Leroy.
[14]
The advent of
electroencephalography has allowed the introspective methods of these early researchers to be supplemented with physiological data. The search for neural correlates for hypnagogic imagery began with Davis et al. in the 1930s,
[15] and continues with increasing sophistication to this day. While the dominance of the
behavourist paradigm led to a decline in research, especially in the English speaking world, the later 20th century has seen a revival, with investigations of hypnagogia and related
ASCs playing an important role in the emerging multidisciplinary study of
consciousness.
[16][17] Nevertheless, much remains to be understood about the experience and its corresponding neurology, and the topic has been somewhat neglected in comparison with sleep and dreams; hypnagogia has been described as a “well-trodden and yet unmapped territory.”
[18]
Important reviews of the scientific literature have been made by Leaning,
[19] Schacter,
[20] Richardson and Mavromatis.
[21]
[edit] Sensory phenomena
Transition to and from
sleep may be attended by a wide variety of
sensory experiences. These can occur in any modality, individually or combined, and range from the vague and barely perceptible to vivid
hallucinations.
[22]
[edit] Sights
Among the more commonly reported,
[23][24] and more thoroughly researched, sensory features of hypnagogia are
phosphenes which can manifest as seemingly random speckles, lines or geometrical patterns, including
form constants, or as
figurative (representational)
images. They may be
monochromatic or richly
coloured, still or moving, flat or three-dimensional (offering an impression of
perspective). Individual images are typically fleeting and given to very rapid changes. They are said to differ from
dreams proper in that hypnagogic imagery is usually static and lacking in
narrative content,
[25] although others understand the state rather as a gradual transition from hypnagogia to fragmentary dreams,
[26] i.e. from simple ‘
eigenlicht’ to whole
imagined scenes. Hypnagogia can be induced with a
Dreamachine, which uses a pulsing frequency of light close to alpha waves to create this effect. Descriptions of exceptionally vivid and elaborate hypnagogic visuals can be found in the work of
Marie-Jean-Léon, Marquis d'Hervey de Saint Denys.
[edit] The ‘Tetris Effect’
People who have spent a long time at some repetitive activity before sleep, in particular one that is new to them, may find that it dominates their imagery as they grow
drowsy, a tendency dubbed the
Tetris effect. This effect has even been observed in
amnesiacs who otherwise have no
memory of the original activity.
[27] When the activity involves moving objects, as in the computer game
Tetris, the corresponding hypnagogic images too tend to be perceived as moving. The Tetris effect is not confined to visual imagery, but can manifest in other modalities also. For example,
Robert Stickgold recounts having experienced the touch of rocks while falling asleep after mountain climbing.
[28] This can also occur if people swim in waves shortly before going to bed, and "feel" the waves as they drift to sleep.
[edit] Sounds
Hypnagogic imagery is often auditory or has an auditory component. Like the visuals, hypnagogic sounds vary in intensity from faint impressions to loud noises, such as crashes and bangs (
exploding head syndrome). People may imagine their own name called or a doorbell ringing. Snatches of imagined
speech are common. While typically
nonsensical and fragmented, these speech events can occasionally strike the individual as apt comments on – or summations of – their
thoughts at the time. They often contain
wordplay,
neologisms and made-up
names. Hypnagogic speech may manifest as the subject’s own ‘
inner voice’, or as the voices of others: familiar people or strangers. More rarely,
poetry or
music is heard.
[29]
[edit] Sleep paralysis
Humming, roaring, hissing, rushing and buzzing noises are frequent in conjunction with
sleep paralysis (SP). This happens when the
REM atonia sets in sooner than usual, before the person is fully asleep, or persists longer than usual, after the person has (in other respects) fully awoken.
[30] SP is reportedly very frequent among
narcoleptics. It occurs frequently in about 6% of the rest of the population, and occurs occasionally in 60%.
[31] In surveys from Canada, China, England, Japan and Nigeria, 20 to 60% of individuals reported having experienced SP at least once in their lifetime.
[32][33] The paralysis itself is frequently accompanied by additional
phenomena. Typical examples include a feeling of being crushed or
suffocated, electric ‘tingles’ or ‘
vibrations’, imagined speech and other noises, the imagined presence of a visible or invisible entity, and sometimes intense
emotion:
fear or
euphoria and
orgasmic feelings.
[34][35] SP has been proposed as an explanation for at least some
alien abduction experiences.
[36]
[edit] Other sensations
Gustatory,
olfactory and
thermal sensations in hypnagogia have all been reported, as well as
tactile sensations (including those kinds classed as
paraesthesia or
formication). Sometimes there is
synaesthesia; many people report seeing a flash of light or some other visual image in response to a real sound.
Proprioceptive effects may be noticed, with numbness and changes in perceived body size and proportions,
[37] feelings of floating or bobbing, and
out-of-body experiences.
[38] Perhaps the most common experience of this kind is the falling sensation, and associated
hypnic jerk, encountered by many people, at least occasionally, while drifting off to sleep.
[39]
[edit] Subjective interpretation
Hypnagogic phenomena may be interpreted as
visions,
prophesies,
premonitions,
apparitions and
inspiration (artistic or divine), depending on the experiencer’s beliefs and those of their culture.
[edit] Cognitive and affective phenomena
[edit] Receptivity and suggestibility
Thought processes on the edge of sleep tend to differ radically from those of ordinary wakefulness. Hypnagogia may involve a “loosening of
ego boundaries ... openness, sensitivity, internalization-subjectification of the physical and mental environment (
empathy) and diffuse-absorbed
attention,”
[40] Hypnagogic
cognition, in comparison with that of normal, alert wakefulness, is characterised by heightened
suggestibility,
[41] illogic and a fluid association of
ideas. Subjects are more receptive in the hypnagogic state to
suggestion from an experimenter than at other times, and readily incorporate external
stimuli into hypnagogic trains of thought and subsequent dreams. This receptivity has a
physiological parallel;
EEG readings show elevated responsiveness to sound around the onset of sleep.
[42]
[edit] Autosymbolism
Herbert Silberer described a process he called
autosymbolism, whereby hypnagogic hallucinations seem to represent, without
repression or censorship, whatever one is thinking at the time, turning abstract
ideas into a concrete
image, which may be perceived as an apt and succinct representation thereof.
[43]
[edit] Insight
This process can even lead to genuine
insight into a
problem, a well known example being the story of
August Kekulé’s discovery of the structure of
benzene. Similarly, the teenaged
Karl Gauss obtained an insight during a hypnagogic reverie into how to construct a
17-sided polygon. Many other
artists,
writers,
scientists and
inventors – including
Beethoven,
Richard Wagner,
Walter Scott,
Thomas Edison and
Isaac Newton – have credited hypnagogia and related states with enhancing their
creativity.
[44] A widely cited instance of what could well be this phenomenon is the story of the composition of the
Devil's Trill violin sonata by
Giuseppe Tartini. Tartini dreamt that the devil appeared at the end of his bed and played the violin with otherwordly mastery. Tartini woke and immediately began writing the virtuoso music down, though managed only to transcribe what he painfully felt to be a massively inferior version of what he had heard in his sleep; incidentally, such loss of memory of the dreamt events is a common circumstance of dreams.
[edit] Amnesia